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Giant monster and tiny witch4/12/2024 While the shaky-cam point-of-view style might disorient those with weaker stomachs, the film still does a nice job of emphasizing sheer kaiju size and calamity, and provides a more personal, eerie touch to the image of citizens wandering dazed around a familiarly ashy, panicked New York. It also featured a well-designed alternate-reality game and viral marketing campaign as a lead-in, providing a nice mystery for fans to unravel. What separates Cloverfield from other monster movies is its reliance on the “found footage” trope made popular by The Blair Witch Project and a slew of subsequent horror releases of the mid- to late-2000s. When a young, beautiful Brooklyn socialite’s going-away party is rudely interrupted by the arrival of very pissed-off sea monster with the Statue Of Liberty’s head for a party favor, Cloverfield quickly becomes a rescue mission through the boroughs of NYC, complete with military skirmishes, icky giant sea-lice creatures, and a surprisingly bleak finale as far as kaiju films go. Also like the original Godzilla, Cloverfield featured monstrous manifestations of said trauma, and employed cutting-edge special effects and filmmaking tricks to wow audiences while exploring society’s technological fears. Abrams released his first big “mystery box” blockbuster, Cloverfield, less than a decade after a transformative national tragedy. The kaiju concept has appeared in locations as far-flung as Denmark and genres as unexpected as the indie dramedy, and we’ve rounded up 12 non-Toho kaiju movies that stand on their own merits. in the film’s credits-you can’t copyright the overall concept of a giant monster with destruction on its mind. But while Toho arguably still dominates the kaiju market-all of the new creatures featured in Godzilla: King Of The Monsters are Toho creations, and the company is billed alongside Warner Bros. Toho created, and owns the rights to, dozens of giant movie monsters, from Godzilla himself to more obscure kaiju like Ebirah, an 164-foot-tall space shrimp. rex.ĭefining the kaiju becomes even more important when we step outside of the cinematic world of original kaiju powerhouse Toho, the Japanese film studio that unleashed Ishiro Honda’s Godzilla onto the world in 1954. (Is King Kong a kaiju? While Legendary’s new MonsterVerse thinks so, we’ll leave it to you, our readers, to debate that question in the comments.) Stomping on a major metropolitan area or two is a must, and the creature must be a work of pure imagination-or a ripoff of another original creature concept-rather than a mythological creature like a dragon or a real-life monster like the T. They must be gigantic, of course, and preferably either reptilian or insectile in nature, though there’s some room for flexibility on that point. ![]() ![]() A kaiju is a bit like obscenity: hard to define, but you know it when you see it.
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